Schedule

I'll try to keep it going with a 'book' review on Saturdays and manga/comics reviews on Sundays.

Showing posts with label Fiction. Show all posts
Showing posts with label Fiction. Show all posts

March 4, 2017

The Lovecraft Code - Peter Levenda

 Finally, let's dive on things that I truly love. 


Lovecraft is one of my favorite authors. Not much for his work, which I understand, it's not always that good, it's deeply racist and sometimes just silly. But the mythos? The mythology he created? That mixture of ancient words, ancient and inhuman gods, sci-fi, pure and abject horror... Oh man. That's pure joy for me. 


Talking about Ancient Mysteries, oh boy. I love it. I had read a lot of books on this subject: did a worldwide flood occurred in the past? (Answer: according to a lot of scientists, yes. There's plenty of proof that a comet hit the ice cap around 14.000 years ago and created the Great Flood. No. I don't believe in Noah, but the facts are pretty strong.) Who came to America first? Columbus, Vikings, Greeks or Sumerians? (Hint: all of the above). I love to read this subject. By the way, I'm not a "Ancient Aliens" supporter. I believe in the human race being able to do all of that. 


And then, other of my great passions: Conspiracy Theories. Oh boy, how I love it. From the insane and utterly ridiculous (I'm talking to you, Dulce Base believers), to the not that ridiculous and maybe possible (Nazi infiltration on the US? You don't believe? Look for "Operation Paperclip", "Nazi bell" and the ties between IBM, Hugo Boss, Ford and the Nazi Party. Just google it. You would be shocked)  to the dark and gritty cover ups that where proven, or close to it (MK Ultra, Operation North Woods, and if you have the stomach, the Franklin Cover up. I'll be back on the later with a book review).
Don't get me as a crazy tin hat conspirator. I have common sense, a great deal of critical thinking and a logical nature. I don't buy shit easily. But that there's a lot of weird stuff happening, all over the world, all the time, oh. I can assure you that.
This brings me to this book. 


I love, (and hate), to listen to one of the greatest podcasts ever: The Higherside Chats
(One of the greatest, but not The Greatest Podcasts Ever. That honor lies with the freaks from The Last Podcast on  the Left. Love you Ben, Marcus and Henry. Hail Satan!) 

I love Greg Carlwood. Great guy. Great interviewer. The guests... Some I hate. Really? Vaccine conspiracy? Fuck you. You discovered the super "satanic plot" by talking to Baphomet via an Ouija board? Shove it up your ass, you retarded piece of...
BUT, sometimes some great stuff appears. Damn, lots of times.
Like this guy.
The author of this book.
Peter Levenda.


I'll probably review another book from this guy, since some of his non-fiction books interest me. Yeah, I like it ok? The Nine? WTF was that? The Nazi infiltration in South America? I'm from Brazil, where Mengele died. I visited his freakish twin city... It was weird as hell.
But now, let's address this book.
He mixed Lovecraft with Conspiracy theories and Ancient Mysteries. How could I resist??
I found and read this book as soon as I could get my hands on.
And... well, it's complicated.

Let me address the elephant in the room: no. Lovecraft never believed in his work. He created it all. He was an atheist. But damn, some of his stuff is spooky enough, like the correlation of his "Call of Cthulhu" dates and the dates of Crowley in one of his biggest rituals. Maybe it was premeditated by Lovecraft, maybe not. Either way its weird.
So... if you are a great fan of Lovecraft, studied his life, (including his growth as a person and how he changed his racists ideas), you will get angry with some parts of the book. I got really angry in a particular point of the book, that kinda linked Lovecraft with some nazi ideas, which at the time, it was the complete opposite: HPL mellowed a fucking lot in the 1930's. The idea of him being antisemitic is complicated. He was married to a jewish woman (which was a bad bad relationship, totally in his fault), he defended some rabbi on his letters, was great friends with Loveman (who was jewish) and at the same time that he called Hitler a clown, he liked some of his ideas. I know, ok? HPL was a racist, but so what? In his time, most people were. I'm not justifying, just stating the obvious. Lots of people were racist. Are we going to refute all their work? Remember that most medical discovery where made by torture in concentration camps in China and Germany. I don't care if he was a racist. His work is amazing.
And the way Levenda displayed him, wasn't nice. Not nice at all.
In general, I really disliked the portrait of HPL in this book.
And since I listened a lot of interviews with Levenda and know that he is aware of what I said above, it makes me a bit resentful of the author.

Alright. Now that I take it off my chest, let's discuss it.
The book is good. Surprisingly so.
The amount of real information in it is amazing. Yedizis in a real perspective. Fuck, all of the Middle East is well represented. The area is a total mess. People say that Islam is "one nation under Allah" has no idea what the fuck he's talking about. Islam is a mess. There are sects everywhere, be it open and accept full of the messiah, or simply nodding and keeping their old beliefs under the tunic. 

Not only that, the analogy of Cthulhu and the Quadhullu, of Islamic belief is an amazing way to connect Mythos with reality. 

But... As a Lovecraftian story? No. No way. No feeling of dread, of unspeakable fear, unnamable things. 
If I'm to be honest, it's a mix of a low level Indiana Jones mixed with National Treasure and a hint of Lovecraftian Mythos. 
I won't even go into the plot. If I did, you could know the ending way before reaching the middle of the book, like I did. 

Overall, I really enjoyed the real history mixed into the fiction. 
So much that I decided to read his non-fiction books!
Read it. It's very well researched and a insightful way to look at the Middle East conflicts. 

See ya in the desert skies

February 18, 2017

When HARLIE was one by David Gerrold




Ok. I finished this book a while ago.
But I didn't wrote a review. Why? Coz I don't like to bash authors.
It's rarely a thing. Usually I analyze how the plot develops, how the characters were created, how they grow thru the book.
This...
This book was terrible.

And I feel bad about it. Don't get me wrong: I love the idea.
The first AI to pass the Turing test, in the middle of the 70s, was created by a private company. And then... How it grows? Love it!
I LOVED the way Mr. Gibson treated it in his Neuromancer trilogy. The way the AIs mingle with each other, on a speed we can not even comprehend...
Here? Not so much.
Hell... Not at all.
It was a piece of shit.
Yeah. I know, I know... It's a precursor to the whole AI idea. Like I said, don't get me wrong: I love sci-fi. In particular short future sci-fi. But this? Ugh...
Ok. Let's address some stuff first.
I read it in Portugal portuguese. I'm fluent in it. And I didn't like it.
Then, I searched and read it in Brazilian portuguese. Maybe it was a bad translation. It was worse.
Then I went and read it in the original. I enjoy reading in the original language whenever possible. After all, so much is lost in translation. And it was even worse.
No. I REALLY dislike the way the author wrote. I searched for other books, more recent works... Damn, I really disliked his style.
That being addressed, let's begin.

Imagine this guy as your main character. Yeah...

The monotone. Fuck, how bad is the monotone. What? What is monotone? Well... Imagine that every one around you talk the same way, using the same expressions, the same cadence, you got the idea. Yeah. The whole book is like that. Except the AI. At first, it seems like a nice idea, the AI is different from all the others. It makes the book a pain in the ass to read, but hey! Style over quality, right?
No. I hate that idea. And reading other stuff from him, he writes like that.
Other thing that I dislike. When things get dated. Like all those jokes in the "Cat in the hat" with Mike Meyers. This book suffer from that malady. Everyone is smoking pot, which was legalized in this world, like cigarettes. Yeah... It's that kind of writer. Also, the pedantic way everyone talks in this book, ugh... So. Fucking. Pedantic. The whole book has a condescending tone that really got in my nerves.

Another thing that I hated was the exposition. Oh Gods. So much exposition. And in a condescending tone. In a pedantic way. I believe if I have met the author while I was reading the book, I would punch him. Hard.
OK. The cast. We have a retarded pot headed psychologist, which by some random luck get to be the head of the AI development team (you didn't read it wrong: he became the boss by a coin toss. Yeah.) We have the engineer, the sub/co-head of the department.
Then the fuck toy, ops, the romantic interest of the pot head, the AI, and the "enemy": the new president of the company and the financial department. The only developments in the characters is that the pot head got an epiphany (a really shitty one) from having sex with the woman (one fucking time) and realizing that he's in love with her (yeah, for real) and that the AI goes from the emotional state of a preteen to a pretentious teen.
Yeah. That sums it up.
Plot. AI is created. Financial department wants to shut it down, because it's a black hole for the assets of the company. The pot head don't want to, because he sees the AI as his son. AI don't want to be shut down/die. Then they came up with a plan to make it make money. AI basically invents a new computer, which proves to be useless for us, but meanwhile he'll try to manipulate information to generate income. Oh, and input the attitude of "stick it to the man" from the hippies and you got your book.

Really, I summarize the whole book. If you read this, don't read the book. Everything is here. If you want a lot of exposition with all the other problems I mentioned before, please go ahead. I can recommend you to a few nice S&M clubs also.
Anyway... It's bad. I know, it's "important" for the genre. But, unless you really live sci-fi, AI and similar, don't waste your time.
It's not worth it.

See ya in the desert skies

January 8, 2017

Old Man's War - John Scalzi (Old Man's War #1)

Hey there.
Yes, I'm alive. 
NO, it's not Strange in a strange land.
Working hard, not much studying (no more info on that. Sorry.)
But I felt the need to read, as I often do. So... Here I am.
I won't promise to update this weekly as once was. I'll update when I read something.
So... No further a do: Old Man's War. 






Considering the fact that my most used nickname is Old Man, you can imagine all the jokes about my bed to read this book.
And I love it.
Yes, there's a lot of patterns in this book, but I enjoyed it.
The basic concept is nice: humanity went to space. The Colonial Forces don't bow down to earthly government and have access to technology way over what we have on earth.
As you get old, 75 years precisely, you have the one chance to enlist.
No info is given, but people assume that something must be done, after all, no war is fought by old bodies.
And it is. But no one knows it on land.
You are given a new enhanced body. And obvious, lots of sex and adventures ensue.
Interesting plot device I must say.
What I liked is that on the second part, the first chapter destroys the light hearted feeling. It is war. Have you been in a war zone? In an area of conflict? No? Well, NO MOVIE show what it really is to be there. Maybe Full Metal Jacket. And a strong MAYBE. Because Kubrick still had a little of romanticism in his view of war.
The way the drill Sargent says "I consider a success if when you die you won't take anyone else with you" is beautiful.
And the focus on "destroy your 75 years of bad habits and entitlement" is amazing. I have no words to express how nice it is to hear that.
The ending of Chapter 11 of the second part is that point exactly. When you have fought long enough, you snap. You lose your sense of self, you lose your link to what is human. Perry goes thru this, but then a human incident reminds him of how disgusting we are. Humans are as bad as the aliens, so... What's the point of feeling unconnected? We all can be, and true madness can connect us better than acts of kindness.
By the way, the way the book treat aliens is beautiful. It simply states what they look like and their culture, briefly. Not an in depth look, but what a soldier would see and know, which have it a sense of reality that made it even better. Our worse. Depending on your standing on war & conflict.
What's better is that the 'world building' never stops. We are preserved with interesting concepts thru the end of the book, in particular how fucked up religion can be.
NO more info on that. Read the damn book.
Believe me, is worth your time. 

I know it was a short review. But I really don't want to spoil the book.
Yeah,it's THAT worthy to me...

Next: something that I'm kinda enjoying and kinda disliking: When Harlie was One.

See ya in the desert skies...

July 23, 2016

Zero History - William Gibson (Blue Ant Trilogy #3)



Intro: thanks to the crap that is the connectivity of the Blogger app & the site, I lost most of this review. Anyway... here it goes, late. Sorry.

I'll admit: usually Mr. Gibson's trilogies have highs and lows. I loved Neuromancer, but found Idoru a pretty harmless and boring book. But usually, on the third one, I'm in love. Mona Lisa Overdrive is one of my favourite books. I really liked the ending on All Tomorrow's Parties. That leaves us with Zero history. I made myself very clear on the last entry on the Blue Ant trilogy: Spook Country was awful. Even if it was wrote by one of my favourite authors, in a genre that I love, I hated it. It has its good points, but the bad ones... it was not a pleasant reading. So, how the last book of the trilogy went?

Well... It starts with Inchmale & Hollis... Oh my, where do I start with that? Do you have a friend that can't handle money? That always made bad decisions regarding money? Yeah. At the same time that Inchmale bought a club/hotel, Hollis is broke. AGAIN. Seriously? You made a deal with advertising that made possible for your friend to buy a freaking Hotel & you are broke? What in the hell you invested on? Marbles? Anyway... The first thing we are informed, besides she's broke, is that Inchmale is insisting that she should contact Bigend. Obviously, she don't wanna. Bu-hu. You're broke, girl. You shouldn't refuse the only guy that keeps on hiring you...
Just a few pages & I'm already bothered by her. She's decadent, full of a luxury that she really doesn't fit into. I'm sorry, but I really dislike Hollis. She's boring, predictable & most of times, dumb. She don't discover anything, she bump into things with a good timing. That's all. Hubertus call & even if she's mentally complaining, she accepts to meet him. Yeah, it's that or die in a alley way... 

Then, he appears! MILGRIM! Yey! I like this guy. As always he's sly, analytical, observant & weird. Apparently, he did some weird treatment for his addictions, what seems as a Keith Richard style: he mentions some blood transfusions. Anyway, he do some shady business with a pair of pants (wtf?) and is directed by Sleigh (yes, from other books, that guy) to the airport where he's going to meet Bigend. That catch my attention! But it sure goes down the drain with one more chapter from Hollis. Gosh, it's as tiring as the Sansa's chapters in S Song of Fire & Ice. Yes, I hate her. A shame that she would probably not die a gruesome death in the books... Oh, and I ignore the series. So, don't go whine on the comments. 
(Irrelevant, since no one comment here, for some weird reason...) 

Anyway, I felt like somehow, my complaints about the last book were heard. Or someone also complained about it. This time we are given 2 things: what Hollis should look for, a different way of doing product branding by some shady figure & why use her: she is like Jon Snow, she knows nothing. Yeah, that's it. Since she doesn't know anything on the stuff Bigend is involved, she has a fresh view on stuff. I can buy it, you know? I only hope that she doesn't walk as if on board of a Deus Ex Machina, other than that, I can be lenient & tolerate her presence... Thank gods we go back to Milgrim. 

In there we see that Milgrim isn't a junkie anymore. Somehow Bigend convinced him to detox & treat himself. Milgrim, apparently, lost something like a decade in his addiction & has a lot of blanks in his memory. Somehow, he says he learned Russian in Columbia, supposedly the University of Columbia. But his Russian is too good for it. Anyhow, we also see that the Blue Ant team is taking heavy cautions with him with consistent drug testing, careful observation & leading him to where he must go. His objectives & what exactly he's doing, at what intentions are still a mystery for now. 

Back to Hollis, obviously she finds the right person, at the right time & the guy explain what exactly is this brand of clothing: never in stores, sometimes in thrift stores, maybe on eBay. Other than that, he explains the concept of the brand to her. I sincerely found it a little stupid. Sorry, never been a brands guy. The maximum I get into this is my Levi's jeans, which I buy for comfort & durability. Other than that it's mostly black tank tops, black t-shirts and maybe some color t-shirts. Cheap, comfy & versatile... But to each their own. I don't understand, but recon that it's a thing for some... But the level of attention & analysis used on a FUCKING PAIR OF JEANS? Sorry Gibson, but are you OUT OF YOUR FUCKING MIND? I'm sorry, but I can't, for the love of all gods, take this seriously. Even if I was baked on ganja, I would still think it stupid. Anyway... Milgrim is introduced to Hollis in a tedious scene. And for fuck sakes! EVERYBODY IS A FAN OF HOLLIS' BAND? Why? Tell me HOW a band, always presented as an underground small band of little success made Hollis basically the equal of Madonna on the indie scene of the world??? Ugh... It hurts me SO BAD every time one fan appears. Get your shit together Gibson!! You created the cyberpunk mythos! You created intelligent AI that assimilated Loas as their representations! You are so creative and now you present me mysterious JEANS?!? For fuck sakes, I expect it to get better. Please, be a better book. PLEASE! 

Oh, and I like how Milgrim don't give a fuck that Bigend is waiting for him. It fits nicely with his character. But his hot pants for Hollis? Not all that much... I believe is like his thing with his teeth: it's new, (usually addicts loose all their libido. It kinda fits with how Milgrim is looking & evaluating all women he sees) it's fresh & he feels like he must use it. 
And Heidi came by. Seriously, when I compare those two books to all other books from Gibson, it seems so weird. This one, at least have Milgrim as a key figure. And I'm still hoping for it to be a better book... 

Oh! Oh! And I got an insight: I know now why I hate Hollis & her gang. They are spoiled brats! I used to date a piece of trash like that. All about how they don't care for money, but wasting money like there's no tomorrow. Cayce had a lot of problems, but she was a working woman. She paid her stuff with her hard work. Those little shits had a band and been living out of it, maybe doing some different stuff here & there, but overall? Spoiled brats. Yeah. Do I feel better? No. It bothers me even more now. 

The relationship between Milgrim & Bigend also is interesting. We know that aside from being the ultimate Deus Ex Machina of this series, Bigend has an amazing eye for talent. And he invested massively to "recover" Milgrim. Why? Curiosity. Yeah. Simple, elegant & beautiful explanation. Bigend has the money to pay for all his curiosities. Milgrim being one. And their relationship reflects that. Hollis on the other hand... As a brat, she's incapable of being grateful. And whine all the time. 
In particular I like how Milgrim & Bigend acts together. Milgrim don't give a crap about how important Bigend is, but understand him & help him in a very peculiar & intimate way. Bigend, out of curiosity, fixed him & realize how important he could be.

Anyway, this is the exact point where I lost stuff. I was going to describe the book in more detail, but I'll resume it since this book doesn't deserve a better treatment.
Investigating for the jeans, they find some leads. The guys that Milgrim scanned the jeans come after them & attack, in a really amateurish/Hollywood way. Obviously it goes wrong. But they ambush & get a coder from Bigend: Chombo. Yes, the ass hole from the previous book. They want Milgrim in exchange. Bigend is about to agree, but then Hollis' boyfriend comes as a, once again, Deus Ex Machina & make a propose/blackmail to him: release Hollis, give her lots of money & help her friends. There: two deceptions, Bigend agreeing to exchange Milgrim & accepting this proposal. Oh, and the point of maximum bitchness: "release" Hollis... seriously? She's there because she needs, because she's incapable of doing finance. Because she does not have any useful ability to generate mone! If anything, she can be accepted as a charity work from Bigend! Anyway, the plan is planned, Milgrim get some action with a courier from Blue Ant, we got some real bad action scenes & it ends with everybody living happy ever after!

Oh, and as the book says, Bigend became a Bond's villain. Milgrim got the girl & got to keep his job. Hollis go live in Germany with her boyfriend. The end.

I was going to re-do all the review & everything else, but... it's garbage, worthless. It's been a long time since I had to read a book that get to me on a physical level. It got me tired, irritated & mostly bored. It's a bad story. Real bad.
The great mystery? That brand? It's made by Cayce. Yes, that Cayce. It was a little obvious in a background way. It's interesting to see what & how she's doing, but the trilogy felt like a Disney's sequel: shitty, bad written, bad directed & pointless.

Don't read it. It's not worthy. Or read it & then blame yourself for it.

Tomorrow:  more of Japanese weirdness, tales of revenge, public masturbation and shame! Onani Master Kurosawa! Yes, it's gonna be weird.

See ya

July 16, 2016

Lord of Light - Roger Zelazny



If you are a fan of  George R. R. Martin and listen to his interviews, you probably know his opinions of the best in sci-fi: Forbidden Planet as one of the best sci-fi movies and this book that I'm currently reviewing.
Oh, just one little piece of information: I have very strong feelings about A Song of Ice and Fire. I also delve into the theories and discussions online. I would probably not, unless by demand of you readers, review it. Why? Because it's very time consuming to read it, there are literally dozens of blogs, YouTube channels and forums dedicated to analyze every aspect of it. Thus, I don't feel the need to do it. Just a few of my thoughts: Daenerys is an AWFUL queen/leader, Jon Snow is even worse (he did so many bad decisions on the books that I cheered when he was stabbed), Tyrion is simply an amazing thinker and I really really despise Sansa. Oh, and Sam is cool.
Back on GRR Martin, I am a fan of his other books, with a warm spot for Fevre Dream, a high consideration for The Armageddon Rag and I'm a great fan of the Wild Cards serie. There are a lot of his tales that I like, mostly the non-Tuf, and that gives a very interesting perspective over A Song of Ice and Fire. If you know what I'm talking about, I'm on board the sci-fi explanation gang. If you want more information, go to Mr. Preston Jacobs for the best in this area. He's even going thru the old tales from Mr. Martin to explain his opinions. And boy, he knows his shit.
So, as you can see, I put Mr. Martin is very high regard as a writer & editor. Now as a reader... Let's find out.

Let's start with something: I'm aware that maybe I'm loosing a lot of references from not knowing all that well the Hindu religion & deities. My knowledge of it is restricted to the portraits in Salman Rushdie fiction, which I really like, a few classes that I attended in a Hare Krishna centre that I used to go for free food (yeah, my growing up was a mess, specially in my teens years) and some basic studies. I know the big ones, like Ganesha, Krishna, Vishnu, Kali... but the whole of the pantheon? No, sorry. I have taken a brief view of the Bhagavad Gita, but never delve deeply in it. So, yes, I may lose a few references. But it also has ties with the birth of Buddhism from the Hindu tradition, which I'm more knowledgeable about. I also know: if you don't have knowledge of any of this things... it is still a damn good book. A difficult one, but nonetheless very good. Damn you Martin. Damn you.

I'm a great fan of sci-fi, as the cloud tags on the side shows, but I'm also a great fan of fantasy. I'm a old timer tabletop RPG player, long time JRPG fan, but not all that big on Tolkien. Don't get me wrong, I love the Lord of the Rings. I just think you can butcher it from A LOT and it would be better. Like what Jackson did. I'm aware that he cut some important & interesting things, but c'mon, the Two Towers is horrible. One third of the book is simply: run, run, run... where are they Legolas? Far. Sleep. Rinse & repeat. He goes way over the top with his knowledge of the land and so many pointless parts... but even tho, I'm a great fan of fantasy. And this one mixed both? In an intelligent way? Oh... I think I'm in love.

One of the first thing I liked about this book, is the way the protagonist is presented. The great Mahasamatman, or simply Sam. He never confirmed if he's a God or not. This opening leaves a smirk on my face. I liked it. 

Then we go for a ride. A lot of strange terms, like: "High-frequency prayers", "pray machines", Lotus acting like radar's dishes... And Yama, a death god, Tak the archivist god turned into a monkey and Ratri, goddess of the night,  turned old & human. Nice cast so far. And she drops a bomb: we are presented to Sam as a Buddha, was the greatest charlatan she ever knew. Hey... An unreliable narrator? Hmm... I like that. Then we are dumped a hard pill to swallow: he's a man, that came to this planet and settled it, but different from his peers, he did not want to became a God. And fought many times, always losing, to he was projected into a state of being of Nirvana, circling the planet as a though form. Wow. And that, my friends, was written in the 60's. It's no doubt that he won so many awards. 

The casts is fantastic. Yama and his intellect, Ratri and her knowledge of the human ways and Tak as a grounded immortal. They decide to hide from the Powers That Be in a brothel from Ratri. Even I had to smirk of the idea of hiding Buddha in a brothel... The sense of humour is very keen in here. We are also presented to the Rakasha, beings of energy & consciousness, the original inhabitants of this world, that were bound since they offer problems to the new settlers. They were released by Sam, and both shares the vice of gambling. Sam is gambling his own life, in order to remind himself of the ways of men. And in the meantime, gather a few powers from this old demon. 

Then there's Aram, which is obviously an spy looking for Sam. Oh, sorry, as a matter of fact, it's Lord Mara, Lord of illusions... And he's dead. It's mostly to show that Yama, as an death god still keep part of his powers, as did Tak, Sam and Ratri. We then are showed that this Fallen gods still have some power: since the reveal of powers in the confrontation of Yama & Mara presents a danger of showing that Sam has returned, they overwrite their memories, to a extent that would pass even the tests of the Karma machine. 

I have to make a point here: I may look like I understand it, but I do not at the moment of reading. Most stuff is dumped into you & you must think about what you read, what you know of religion. The karma machine is a process thru which the dead souls pass in the process of rebirth. That way, I assume, the gods that didn't fall have the powers to do this. Since it's also stated  that Mara died the "true death", I also assume that something must be done before the passing for it to occur. So, this plan to overwrites their memories would probably be successful to pass thru this test, which probably consists of analyzing & judging the life of the people. 
Yeah, Fiction that makes you think. Oh boy, how can someone not like this. 

One of the greatest beauties in this book is the analysis of human condition & the bullshit of religion. Sam makes beautiful sermons, but as he states: he knows he lies. He tries to manipulate his followers into exchange their beliefs in good vs evil, to beauty vs ugliness. Why? Since reincarnation became a reality, all is good. Yes, this life may be harsh, but behave well and in the next one you will be rewarded. So... How do you make them think on rebellion? Maybe, the belief in beauty, instead of justice can shake things up to start something new. The better part? Sam himself has no idea if this will work. Even if they are superior to everyone else in the "earth" they are, with powers and all those shenanigans, they are still fallible, human and prone to errors, sins & vices. Which is why I love old religions instead of Christianity: I don't believe that a "perfect" God would create this shitty world. A imperfect, fallible God? Hmm... Looks more believable. More than one God? Yeah. More likely. A bunch of imperfect bastards trying to create something, arguing, fighting & acting like they are omnipotent? Yeah, I can believe it as a stronger possibility... 

The circle of memories from his past lives is very intriguing, presenting us a new view on the life of Sam as Siddhartha. It's very humorous if you know the original tale. It also beings the questions. Why would he emulate the life of Siddhartha? How they decided on the Hindu pantheon & why? How come there are those that remember their past lives and those that don't? What are those machines everywhere? And the way he wrote. Oh boy. I hope to get to that point someday.

In the life of Siddhartha, we learn of the beginning. The change that the body merchants, probably a simple cast before, taking the "job" of the Wheel of Karma & affiliating with the First men, now gods. There's a mention of two sides: the Accelerationists & Deicrats. It were the Deicrats that associate with the body merchants, and what was a usual body transfer became an inquisition against the Accelerationists. They stabilize their power thru this caste system, posing as gods. It's also very interesting that Yama played such a strong role in the establishment of this Deicracy, with most of his studies & inventions being in the core of this new order. Then we go for the rebellion of Buddha. 

He stole a body machine from the temple and started his cult, based on the teachings of the original Siddhartha, with a few twists. He did not said he's a God, nor denied, thus being greater then both. That's when we have a time skip and a man came down to kill him, as ordered by Kali, which is venerated in the cities aligned with Sam. Very interesting, since Buddhism has a high point on death, it's process and importance, as in the original Buddhism beginning. One important point, is the usage of other religions as base of the power of Sam. One of the best pictures of this is that he refuses to move, so all things must go to Sam, as it is said about another prophet... Sam win over this man & the man converts. Different from Sam, who teaches him the Eight-fold way, this man Rild, truly converts and attain illumination, a real Buddha, not a bullshitter like Sam. Soon, the gods came. Yama in particular. Rild & Yama fight, with Yama winning, but impressed with Rild. In particular the fight is very interesting, mixing philosophy & martial  arts, very old martial arts movies like. We're given a few more details in how this world works, with a conversation between Yama & Sam. Both are trying to convert one another to their creed. Well, we already know that Yama will bend, but it's entertaining at least: Yama motivation on being against Sam is purely because of the goddess Kali, from which Sam advise to test, since she's incapable of loving. 

We cut to see Sam literally going to hell, to meet the Rakasha, the original inhabitants of this planet. He discuss with the leader of them, Taraka about waging war against the gods. He agrees, but in the meantime, Taraka finds a way of possessing Sam's body. This possession is a great insight into Sam & Taraka. They both share more than initially believe, Sam on the pleasures of the flesh & Taraka in terms of comprehension of the human nature. Their alliance is still up, even if Taraka possessed Sam. Unfortunately, the gods came &  came in numbers. All the Rakasha attacks them, but to no avail. In the end, Sam is captured &  taken to Heavens to be judged. 

We jump into a interesting view of this heaven. We listen to some gossip, discover a few things on the origin of the gods and then, we discover that Kali & Sam were lovers. Kali is still in love with Sam, since he was a fierce fighter & usually generate conflict. You can see that she's in love with war & battle, and will gather around those that can cause it. Even her marriage to occur with Yama is simply that: a trick for more power & combat. She says she still loves Sam, and in a great conversation, he states why he doesn't love her anymore. They made sex, simply to provoke the gods. We cut for Tak, which assumes that he's the son of Sam, but in reality, what is to be a son of someone in a world that people constantly change bodies, and any trait you get from your parents is lost as you change bodies? This concept of what exactly are the human relations, when  we are immortal & with changing bodies is another of the greatest beauties of this book. As is the mockery of religion. 

Sam tries to flee, but it's Mara that captures him. Yes, the Mara killed by Yama in the beginning of the book. I just about that, at this point, I kinda see how Yama will turn coat, but I was still intrigued. Sam and his accomplice are to be executed by phantom tigers, and a bird/God came to see him. It's the first time we see Sam being called Lord of Light. In the end, Sam die. (To remember, his ally, Tanaka made his soul immortal, like his people.)  We are show that several gods fallen, died & the rise again of the Accelerationists. All this was caused by the death of Sam. 

The new chapter begins with death. Lots of it. Brahma dies, poisoned. Shiva, by blunt trauma. New gods arise to cover & Kali became the new Brahma, which set Yama into motions. Ratri, also appears, revealing she was the first to see Brahma's body. More death happens, as a resurgence of technology in the world bellow. We discover Sam as a minor God, the culprit of the killings. And he intend to kill more. If the masterminds die, the rest would not stand, he assumes. He is knocked out and together they flee. They will make a stand, and a great battle will occur. Various fallen gods come to help, as inhabitants of this planet. Yama also came, turning  coat on the basis of Kali's betrayal. A weak reason, but on par with his personality. 
The battle rages and in the end Sam is captured, at great cost for the gods. Yama & others run into hide, Ratri is given her punishment and Sam is sent to the sky, without a body. All seems good, but the losses & changes looks,  once  again, great & costly. 

In the last chapter of the book, we discover much. Why is Hindu so strong in this planet? Because the ship was called Star of India. Yes, most of the people in that ship were of Indian descent. We discover this from Nirridi, the dark one, a Christian that felt repulsed by this Hindu crappie that God's emulate. The old captain of the ship, also a Christian, joins him. As does Taraka. All to go against the gods once more. Sam's plan were right, the destruction he caused make it in a way that the heavens can't stand on its own. The end is soon coming, and even if I can already see the ending, I must say: it has been a very pleasant journey. 

The writing is magnificent, the humour is on top, the portrait of characters is very well done. All in all, this really deserves to be called a classic. 
And it gives me a great respect for Martin, since, oh boy, this is great sci-fi. I must admit, I didn't expect such a great quality on this book. On the other hand, I question how Martin, a feminist (more extreme than I ever was, before the coming of the SJW & feminazism, which made me get away from this ideas) and a fucking peace lover hippie, loves this book so much. There's so much "patriarchal feelings" and so much war mongering in this book, that I felt that deep in his heart, Martin still have some pending questions about what he believes. 

The final battle occurs, with a bang and soon it's all over. Sam departs, Yama has a daughter but also departs. In the end, nothing has changed, at the same time that everything has changed. Humanity will follow its pace again and lives will be lived. It's a very poetic ending, for a magnificent book. 
Even if you know the whole of the story, by reading this review, I urge you: read the book.
It's one of those books that you rarely hear about, but always heard good things. And it's worthy of this praise. 

Tomorrow: remember about the differences of Western culture and Eastern culture that I talked about before? What do you think of peeping? Or of masturbation? What about a combination of those two? How can this become a touching love story? Let's discuss Nozoki Ana!

See ya

July 10, 2016

Glaucos - Akio Tanaka



It's the bane of our society: how many show you love that has been destroyed?

Be it by dragging it for too long, like in Dexter, X Files, Will & Grace, Weeds. Strong start but as it went on & on & on... it lost all interest, story lines get dragged for too long, or they simply don't know what else to do.

Or could be by cancellations. SO. MANY. SHOWS!!! Dead like me, Do Over, Firefly, Arrested Development (the last season, made by Netflix was good...but not as good as it was) and John Doe... HOW DO YOU CANCEL A SHOW THAT ENDED WITH A CLIFFHANGER??? Lots of series are cancelled and leaves us sad and/or angry.

There are shows based on existing materials, that destroy themselves by going against the original material (Game of Thrones anyone? The shitty 6th season? Worse season ever? Anyone? No? Then fuck you), be it by stretching WAY over the point of interest (Smallvile and the case of the Superman that's not Superman for 10 fucking seasons) that even tho are destroying/damaging the original material are still... palatable. DC in particular like this trend, like we are seeing with Arrow and  Flash. Oh boy... how I want to watch Arrow without my love for Ollie. Probably I would enjoy it like other seems to.

Or simply by changing the tone of the show... Oh, that's not that common here in the West. Well... int he manga world, that's something that happens. A LOT. One good example of that is Katekyo Hitman Reborn or Reborn! It started as a gag manga (genre exclusively for gags and comic relief) and then, by some editor idea, it became a Shonen (genre of manga aimed at young audiences, focused on combat. The most notorious one is Dragon Ball). It generates a lot of problems, since the author wasn't all that keen of going in that direction. And oh boy, it started to show very quickly. I'll review it sometime in the future.

It's also very common in the manga world the cancellation of a manga. At least they treat their fans with honesty & respect: they usually just cut it short and finish it. Very rarely they just cancel it without an ending. Japanese people have a lot of problems, but at least respect is a very ingrained tradition. If a manga is cancelled, they inform the author so that he/she can wrap it all up. Sometimes, they achieve it. Other times, they just finish the main story line and leaves the rest unsolved or ignored. And sometimes... it's done in a really shitty way.
Like Glaucos.



Okay. I admit: I started to read it because the art is fantastic. Also, the premise of the manga is curious: a manga about free/skin diving. Yeah, diving in great profundity without the use of accessories. Strange right? Specially since it doesn't follow the traditional pattern of Sports Manga, but went into seinen territory. It started in a beautiful water colour depicting the born of Cisse in the ocean, as his mother dies. What happened? Who cares. That's no the point of the manga. Cisse born in the sea & was carried to safety by dolphins. He's delivered to a fisherman, that was terrified, and as soon as he looked at Cisse, he thinks he is the kid from a legend...
OK, let's clarify: not the weirdest opening for a manga that I have read. Maybe to you, but as the great Sage said: One you go to Violence Jack territory, nothing can shock you for real. If you don't have the guts to watch/read Violence Jack, which I strongly recommend some thinking about before you do, let's say that in the manga world, this is not a shocking opening. Yeah, seriously.

Violence Jack definitely is not for the faint of heart


Time skip. We met Claude, a legend on the skin diving community, the man that kept the record for deepest dive for the longest time. He's broken inside, drinking a lot and reminiscing of his past glory. Yeah, it follows the pattern: he met Cisse, saw his amazing diving capabilities and goes after him. Cisse's father is against it: the legend says that Cisse would die if the world knows of his abilities. But Cisse press on and goes with Claude. He starts to learn the real techniques of skin diving and discovered that his spleen is not an useless thing like inmost of us, it evolved/mutated by his birth in the sea and he can store blood on it, which in cases of high stress, can release blood full of oxygen, like a reserve battery. Of course it opens huge possibilities. There's also a doctor to study it: Haruka, a woman. Yeah, your first guess is right. She will fall for Cisse. But in a hurried & horrible development. Oh! And I almost forget: when Cisse is in a deep state of oxygen deprivation, he has some strange hallucinations/visions. The deeper he goes into oxygen deprivation, the more he unveils of this mystery.



It goes the long way, in a very delicate setting with only this three characters for a bit, while Cisse is learning to skin dive& about how to use his ability. On the way, we see that Haruka, a traditional cold-heart scientist, you know the type, is starting to mellow with Cisse's naivety & Claude's drunkard philosophy. Cisse also start to learn a little bit of zen from Claude. The pace of this manga is slow, focusing on the characters, his iterations & conflicts.

It keeps going, slow & steady, going thru the traditional competition, Cisse's failure that lead to a better understanding of his abilities and all that traditional sports representation.  All is good till the meeting with an old disciple of Claude: Petite. Yes, he overthrown Claude's record & is now the biggest one in the world, with various contracts with sports brands. Cisse, with his obsession of going deeper & deeper to understand his visions, became enthralled by Petite. Obsessed. Then he goes on more training, more iterations between the cast and finally the meeting with Petite, which defied Cisse to a diving competition.
Pause.
Till now, it looks like a traditional sports manga, but there are differences. First is the small cast and the focus on their relationship.It's way unusual in the genre. Second, is the way and the maturity of the discussions. Third, it has a very science-based theme, of studying why Cisse's body is different & the health problems that occurs from the practice of skin diving. It takes pains to show that it really studied this effects and what transpires from it. It really is different from the norm.

Ok. So he met Petite and they compete. Petite wins, but has problems after, suffering a embolism. And that's the point when the shit hits the fan. First: the sports company discovered Cisse & decided that he's perfect to be exploited by then. Second: the editors informed that Glaucos wasn't doing good on the popularity pools and was to be cancelled.

And it's all downhill from this point on. We have a tie skip. Haruka finished & presented her thesis, with good results. Claude simply went insane. And Cisse is bat shit insane from deep diving after his visions. He met Haruka & out of nowhere remembers a bit of her & they have sex. Don't get me wrong: it was predictable that it would happens. But Haruko was a good character, very well represented. There were signs that she fell for Cisse, but the way the manga went after the information of cancellation simply destroyed all the character development from before. Claude stopped drinking, but why? Because he lost Cisse?
All in all, what I get from this ending is that it was all planned, probably in a longer run (Glaucos only get 4 tomes. I guess it would be around 6 or 7 by the way it was going. And you can feel it), the way Haruka & Cisse feel in love would be better. What we get is the shitty "I love you 'coz I do!" like in Jurassic World. It contributes nothing to the plot. Or does it?

We go for the deep dive that Cisse has been preparing himself for: going to where no man has gone before without equipment. And obviously Cisse is draw by his visions and disappears, as the man from the legends. Nobody knows where he went, no body washed ashore. Cisse is gone.
We cut back to the island Cisse is from. Haruka is talking to Cisse's father, since she is pregnant from Cisse. The manga ended with she reading the legend and the new part a boy discovered: the legendary man left progeny and that progeny went to the world bringing new light...



Yeah. It leaves a bad taste in your mouth. A manga with a slow pace but good dynamic was simply destroyed by the lack of interest from the readers. It is something that A LOT of manga suffers. I could list here a bunch of interesting manga that went downhill by the pressure of editors, fans and etc. It is something that, together with other aspects, is heavily damaging the world of manga. Which is bad on one side, but good on other: nowadays people that used to read manga, is reading manhua (from Korea) or chinese manga, or even going to wuxia and light novels. I can't condemn. The internet let authors go free from editorial & fandom influences and create webcomics or light novels pure to his ideas & intents. It's great!
Glaucos is a great manga. Unfortunately, was destroyed by the lack of interest. Not a shame, but kinda sad.
Give it a read. It's really short. Just be warned that the ending was very badly done.

Next week: as a fan of George R. R. Martin. I felt compelled to analyze what he thinks as one of the best sci-fi novels of all time: The Lord of Light. I really hope to be on time with this one.

See ya

July 9, 2016

Spook Country - William Gibson (Blue Ant Trilogy #2)



Hey... Sorry for being late. It was supposed to be published Friday, but it's being published now, on Saturday. Sorry about that. Now back to the Blue Ant Trilogy...
As I wrote before, usually the second book on Gibson's trilogies are not all that good. And this one, well... Let's talk a little before, right?

There's a problem when a creative guy like Gibson writes on a contemporary setting: he gets dated. Fast. Don't get me wrong: in Neuromancer, he was amazing. It's not dated, it's still relevant and still a possible future, even today. Spook country... Not so much. Right at the beginning, Hollis is presented to the 'genial' idea of virtual reality combined with GPS to show spots where celebrities died. Oh, you mean QR code? No. GPS with information on the spot. What? Where is the server that would store this information? Good question. Where is the modem that would provide that information? Oh, hidden somewhere near? Does it offer free WiFi? No? How do you mask the signal then? Oh. You don't? Then it's simply and utter bullshit. Sorry, I worked as an IT man. Those things doesn't work that way. Not even at the time you wrote this. And it evolved in a totally different way. I don't know if he understands that at the point where he wrote this book. But ok. It's the problem of writing something groundbreaking in this near-level sci-fi future. It's one of the causes that this genre in particular never get too big.

OK, as an IT man & geek, I must nitpick the technological aspect of this idea. Let's start with the GPS locked images: the way he says it, it's insane. If he constructs ALL images on his computers, using textures and overlays as he said in the book... Sorry, it would be a huge file. It would be something on the level of several gigabytes. How on earth is he downloading this images with a crappy hidden modem? It would need some hardcore server to store it online, a huge broadband to upload it, probably with a dedicated server link. It costs LOTS of money to maintain that. And no, there's no way around it, there's no cheap way to up this on the net. It costs money. As I said LOTS of money. And all this textures, all this 3D environment overlapped on the actual space? What technology he uses? Is it something akin to google glass or oculus rift? The way he describes it looks like an oculus rift, but the way it works is more like a google glass... there's no consistency on this. It is translucent and overlay images OR it creates a new environment. There's no way to be both, at least in the way it was described. It is very confusing. And way over the capabilities of the time. Or of our current time...
And what about the 'uncanny valley effect'? You know... computer generated human beings, too similar to us, get an automatic rejection, since we don't recognize, in an unconscious way, the micro-expressions that we, as a race, use to communicate. Specially if it's someone we are familiarized with.
Do you really want me to believe that some random guy can overcome what has been studied and tried by thousand of scientist and artist for at least a decade and became common place? That it's a bunch of underground people doing this around the world? Because seriously, if those guys reached that point, they wouldn't be doing this kind of garbage. (I have a major in art's history, focused on analysis, so I'm qualified to say it: what they are doing is crap.) They would be swimming in money working for ANY video-game company. But no. Oh, but he has a Japanese performance booked. Sorry, this kinda of stuff usually don't go first to Asia. If they were Japanese, ok. But usually technology from other places are a little slow to go there. And this kind of conceptual art is more frequent on the western world. Or cinema. I'm sorry, this idea can sound amazing to someone else. It sounded really stupid to me. To me, that was what sealed the fate of this book to me. No, I didn't like it.

This is what people thought was amazing at the time...


Now, let's talk about the problems with the characters. Don't get me wrong, I LOVED the bitchiness from Cayce. She's so palpable, real and even similar to some people I know. But even being annoying sometimes, I liked her. A lot. Why couldn't he take her in the rest of the trilogy? I understand that the way it was presented, Cayce wouldn't have the slightly interest on this. Nor would she feel compelled by Bigend. It's out of her sphere of interest, of her job, out of her life. Oh well. We have Hollis. And by the way, this case is ALSO out of Hollis' interest, job and life. The only difference is that Hollis was broke in the beginning of this book. As a matter of fact, all characters in this book started broken and without a penny...

Hollis was part of an underground band and is still remembered as kinda of a celebrity. A minor, underground band, that as a matter of fact is world-wide know. Yeah, this kind of idiosyncrasies is very classic for Gibson. It seems as if there is not an 'above ground' society. Or that they are mindless consumer drones that are feed by what the media trow at them... OK, that hit closest to home than I imagined... Anyway, remember the bitchiness from Cayce that I was just talking about? Yeah... Hollis tries, and fails, to be on the same level. She sounded at the same time very intelligent and very dumb some times. Oh, and in a totally unrealistic way...

The story of Tito starts in a boring way. Yeah, he's an expat from Cuba, works with a cousin that works with falsification and spying, but in a modern time, falsifications are way harder to do, yada yada yada... As an expat myself, I get him. Sometimes it's hard to be an expat. But not all that much. Specially if you came from Cuba. I've been there. Believe me: you would kill your family to get out of there. What bothered me the most is his complains of the cold. I'm in the cold & wide North in Toronto and I don't feel cold all the time as Tito. Sorry, the 'terrible winter of NY'... Sorry mate, we go over -25 Celsius over here on a sunny winter day and it doesn't bother me all that. And I came from Brazil, which is very close to the Cuban climate. Oh, and as someone that has ties & knowledge of umbanda, all the deities from Cuba leaves an strange aftertaste in my mouth... but that's more of my nitpicking. I understand that it probably sits well or are even interesting to someone that doesn't know any better. Over all Tito is a mediocre character, with an unrealistic set of skills, and a bizarre relation with the orishas that is also presented in a stupid way...

Milgrin... Is interesting. As a junkie & hostage, his parts were the most interesting. It felt bland in the beginning, but it grew on me. The way he is conducted by the drug, his interest on the insanity of heretic middle-age, his strange relationship with his captor... I liked his ending. But I really would like more focus on him, since he's the best character on the book.

What really annoyed me is that the book was without direction till a quarter of it was read. A mysterious container. No more information. Not only that, I felt the rhythm of the book sluggish at best and tiresome in some parts. It was not a fluid reading like other books from Gibson. It felt like a car that someone else was driving and missing the passage of the gears. The three viewpoints have different paces and the passage between then was not well done. When I finally read one third of the book I was sighing: "still only one third?  Gosh..." 

I usually like the way Gibson presents mysteries. But here, it was excessive. Everything is a mystery. 
There are a lot of names dropped everywhere. I don't care about the dead bassist of Hollis band. He was never touched and then he's dead and I should feel the pain of loss? Oh and he died of overdose? No. Some duo is following Milgrin? Who are they? Why should I know their names if they never showed before? Oh, they are working for his drug dealer? So? There are a lot of things that simply popped into existence and I'm supposed to care or be intrigued? If I simply say "hey Karen, hope you enjoy this essay" it will be weird. Especially if I never explain who she is and why would she enjoy, or not, this text. It doesn't work this way. And the worse part is that I thought Gibson knew how to make a good mystery! Hell, he did a great job on his other books, especially the first one of this trilogy! What the hell happened?? At this point you can tell: no, I did not like this book...

In the first book, Gibson did a well conceived story, focused on only one character, but the side stories converged in a interesting way, with discoveries, searches and a sense of time. Here, it feels like the characters are walking on a constant deus ex machina, with all the pieces falling in place like magic, everything happens like in a play: cue, meet the sister of the technician by using your contacts; cue, Milgrim finds the specific ship with the container; cue, Tito is going after the container... Everything happens in a unnatural way, like a real bad action movie. It starts to get in your nerves really fast. 

The mystery of this book, this container that, barely, links all three narratives is stupid. You don't know what it is, what it can do, why so many are after it... It almost isn't there, like it's a magic trick used to link this stories together. And the payoff? Money??? Laundered money from the Iraq war? Really? Sorry Gibson, if you want to talk about Iraq, war, intrigue and corruption, watch & learn from the best: Hideo Kojima. No one, I said no one, can make this topic as interesting and intriguing as Mr/ Kojima. You sir, are out of your element and way out of your league. I like stories about wars. I like stories about military, or semi-militaristic, combat. I have read great stories on this setting. Sigma Force by James Rollins. The Chronicles of the Black Company by Glen Cook. Any Metal Gear by Hideo Kojima. Hell, I really like this genre, now that I think about it! And damn... this book was so tiresome, so unappealing... I can't like it. Nor recommend it. Sorry Mr. Gibson, but you blew this time. And the thought that I must review one more book on this trilogy, again with Hollis, is not palatable. I really hope you finish it with your golden touch, like you did on Mona Lisa Overdrive.

But after this one, I'm not really all that motivated to read it.

Tomorrow: I was going to talk about a more interesting story, going deep on some hard differences on Eastern vs Westerns, in particular on concerns about sex, privacy and relationships, but I just finished this manga and I need to talk about it. So, you must delve into Glaucos and the current problems of the manga world...

See ya

June 24, 2016

Pattern Recognition - William Gibson (Blue Ant Trilogy #1)



OK. Let's get it straight: I like this guy. Really like him. He's important to me. Neuromancer was an important book in my formation. I love cyberpunk. Specially the early days of it.
Mr Gibson is great, one of the pioneers of the genre. Some says the pioneer. 
He wrote an amazing story with the Sprawl Trilogy. But he's not a one trick pony. He's a great writer, even if he always uses the same pattern.

Strange protagonist with problem past & strange quirky skills? Check.
Cayce is a witty and fashionable woman with a pathological fear of brands, which gave her the superpower of knowing when a new logo will work or not. She's addicted to Pilates, customizing her clothes, and overall be an avaunt-guard chic woman.

Lots of strange & eccentric side characters, living on the verge of society and that will have some use in the story later? Check.
If there's one thing that Gibson does is that he follows the Chekhov's gun principle. Everyone and everything that he mentions is relevant. And plot relevant. If he presents a strange and quirky character, he will be 'used' to advance the plot somewhere. Very early we are introduced to eccentric experts, that are always floating around in his books. There's the weird but well connected experimental artist, that are connected to the curiosities trader, that are connected to a strange curta obsessive collector with a shady past. There's the always shady and kinda evil corporate man, this time upon the form of Hubertus Bigend, a marketing genius that is always trying to monetize trends. And the crazy fucking bitch is Dorothea. God, she's such a psychopath... Oh, and they all live in a kinda underground peripheral world, full of this kinda people. Very Gibsonish.

Here's a curta. Yeah, they're real

Bizarre mystery that needs all the combined effort of characters to achieve? Check.
Yeah, this time is not as weird as a box full of strange things (yeah... I love Mona Lisa Overdrive) but a weird segmented movie that pop-up in different parts of the Internet and are collected and discussed on an online forum by fans. Cayce is asked by her kinda evil boss to research and find the creator. Unlimited funds are available. Obviously she goes with it. He wants to monetize it. How? Who knows... but she must comment on it as an Evil thing, otherwise it is not a Gibson book.
Oh, and this time, different from Mona Lisa Overdrive, it makes sense. The story of the movie is a very good, touching story.

A hurried ending that makes you feel like somewhere, someone was demanding that Gibson deliver the book on the deadline that he probably pushed over the acceptable? Check. 
Till the moment that she meets with Dorothea in the lobby, all is cool. The pacing was good, the advancement of the plot was great, things are good! And then... It jumps in time, with not that much explanation and a last chapter that kinda try ties all loose ends. You can almost feel that there was supposed to be at least one more chapter, but the deadline and the editor said enough with the delays. (On a side note, I believe the editors from Douglas Adams and Gibson go on the case of a G. R. R. Martin. Put the fat old man in a vault and demand Winds of Winter, for the gods' sake!)
 
Yeah, it's a Gibson novel. And also, a good one. The way he writes, plots and plan his books are amazing. If you are looking for, you find all the mechanisms that he usually uses, as stated above, but even tho, you like it. Why? The pacing is fast, the characters are interesting, the way the plot advances is inventive and witty. Usually his mysteries are so weird and different from anything else, that you must know what it is. That's why Gibson is a master: even if you know where he's going, the journey is interesting. Even if the end is somewhat rushed, or in some cases a bad one (Count Zero anyone?) you still want to reach there.

William Gibson is a writer that you must always look for. Even his worse works will have some interesting and intriguing. He is a visionary, after all he kinda predicted the way we would use the internet. And we must never forget: his characters are always interesting.
The most curious thing in his work, to me, is that it always has a Sci-fi aftertaste in it. Even with this book, that's supposed to be on the years after 9/11, it has a sci-fi taste. Maybe the way he writes, the way he sees technology... It's not sci-fi. But I, and others, classified it as Sci-fi.
As an avid fan of his work, I'll review the full Blue Ant Trilogy.

But I'll be fair: I have not great expectations for the second one. At least, till now, most of the second books on his trilogies didn't meet my tastes. Count Zero was interesting, but the ending was horrible. Minoru left a strange taste in my mouth. Maybe this one will change my views, but don't get your hopes high. I sure won't.

See ya.