Schedule

I'll try to keep it going with a 'book' review on Saturdays and manga/comics reviews on Sundays.

July 2, 2016

Battle Angel Alita - Kishiro Yukito



Let's talk of one of my favourite manga of all time! Hyper Future Vision Gunnm! Oops, er... Battle Angel Alita! Oops... GUNNM! Yeah, this one has a lot of problems with the translation.
I really don't know why, but the first time this came out, there was a mess in the translation. The original japanese title is Hyper Future Vision Gunnm. Then it was translated as Battle Angel Alita. Why Alita? Oh, because they changed the name of the protagonist from Gally to Alita. And no, there's no explanation for that. There were even worse translation problems, that I'll address as it goes.
Nowadays, since the manga is still going, in the third instalment of a very long series, it's usually called GUNNM. 
So, lets start with this Gunnm stuff.
Gunnm, as Mr. Kishiro stated, means 'gun dream'. Strange, huh?

Remember that I said that I love cyberpunk? Yeah, it still stands and always will. I cannot get enough of a good old dystopian future. And this one takes the top in terms of dystopia.
Did you love the bleak streets of Neuromancer? This is better. Do you love the concept of 'street samurai' from all these games in a cyberpunk setting? This is WAY better. Do you like moral, philosophical and emotional construction of an amazing character? I present you Alita/Gally.


This little and beautiful cyborg is the deadliest cyborg you'll ever know! But not right away.
She's found in a junkyard, on standby for who knows how long. (later, way later, we find out she's there for probably over 300 years!!) The guy that found her, Daisuke Ido, appears to be a good doctor that treats cyborgs in a humane and decent way. The opposite of the street doctors, that would find a man/woman injured on the streets and operate then without authorization till he/she became a cyborg and then charge the costs for the operation. And that is a good prospect. Sometimes they create an opportunity for someone to get hurt and became indebted to them. Since they are doctors registered with the government (which is operated by androids and follow the law strictly) you can't even complain... (Bleak enough for you? Believe me, it'll get worse as it goes.)

In particular I really have to congrats Mr. Kishiro. The world of Gally (I'll call her that from now on. I hate most of the translation alterations), is amazingly detailed. It always feel very real, very tangible. It's a really well-constructed world, with it's own culture, sports and media. In a world full of cyborgs, and where life is really cheap, the violence levels are off the charts. And at the same time, feel very, very familiar...

Well, Ido finds Gally, and without any knowledge of who she is or why she was there, decided to restore her. After all she's so cute with those permanent puckered lips...what harm could she do? 

Is she always puckering or are they really that tick?

Well, soon we discover that the answer to that question is A LOT of damage... but first, we are showed a cyborg prostitute (or should it be a prostitute cyborg?) being brutally murdered. And the next day... Gally has a new pair of arms that looks really familiar. Is Ido the killer? Obviously not. But it sets the theme very well & very early in the story: no one is 100% reliable, no one is totally trustworthy in this world. This is one of the most beautiful things in this series: not even Gally is trustworthy. That's another thing I love about this manga: it breaks tropes. Usually, manga is associated with heroes, that even if they fail, they would get stronger and beat the enemies. Here... Gally fails. And even when she wins, sometimes those victories leave scars worse than a defeat. 

Gally confronts Ido, asking him to not kill anymore. But what she didn't know was that Ido was, in fact, a hunter warrior, or in layman terms: a bounty hunter. World explanation: to make things even darker, there's no police (but as we will see, there is still The Police) and since the governmental droids are stuck with paperwork, justice is done by bounties. And Ido is one of then. In the middle of the conflict between Gally and Ido, the bounty he was chasing attacks. And Gally shows one of the first truly amazing things of this universe: Panzer Kunst or Armoured Arts. Panzer Kunst is a martial arts developed exclusively for cyborgs. In the link you can get a profound view of this art. Basically it is developed in zero gravity and are focused against human & cyborg, armed or disarmed, hand-to-hand or against guns. It relies on the fact that they are cyborgs and take martial arts to a whole new level. Amazing, huh? The downside? If used with weak parts, the power generated may destroy those parts...

Gally decides that she wants to fight and became a bounty hunter. Ido is against it, since it goes against his ideals for Gally. And they fight. Yeah, the father-daughter conflict is explored in this. Gally goes and became a registered hunter warrior. Why she wants to fight? Because it's the only moment she feels alive and that's something that connects her to the past she doesn't remember.
We are introduced to a monstrosity called Makaku, an addicted to endorphin, with a preference for 'drinking it' directly from the brains of his victims. We go for Ido and how he copes with his dreams for his daughter being destroyed. We see that he is not a good guy, since he hunts for the thrill of the hunt. And then... the first amazing battle of Gunnm: Gally vs Makaku. Oh boy! It's fucking amazing!

As soon as it starts, Gally chops Makaku in half. In exchange, he torn Gally apart, leaving her with only one arm. It usually would end there... but no! They keep going! And it is amazing. The sense of movement, despair and violence is incredible! Gally spinning with her arm elbow deep in Makaku's eye is chocking. Unfortunately, her arm couldn't handle the centrifugal force and snaps and Ido came to the rescue. Makaku's body is destroyed, but low and behold! He's actually a worm-like cyborg that infects the body of those he consider strong, and the capabilities of his mind are linked to the body he infects. He goes away, casually quoting Nietzsche & swearing revenge...

Well, his daughter has a death sentence. What is the solution that Ido choose? Give her a military-grade body called berserker, of course! It may seems strange, but in the future, when we discover who exactly Ido is, it would make sense. Now, Gally has a body on par with her skills, but she's still haunted by the memory of Makaku. Meanwhile, Makaku invades the coliseum of the city to take the body of the current coliseum champion. Now, he believes, he can finish what he started with Gally.

One mention, now that it became a little relevant, the city they live is called Salem in the original and was translated as Tiphares, based on the sphere Tiferet of the Kabbalah. It is the supporting base for the floating city of Keter, Jeru in the original. As someone that understand a little of kabbalah, I found it stupid. In particular knowing the other instalments of Gunnm. There is something above Keter in the tower, so the naming is stupid, as the Keter sephirah is the ultimate point in the kabbalah. The JeruSalem thing was mostly a wink, not something to push so much symbolism on. But I digress.

With the new body, both Gally and Makaku went hunting. She, for allies, since Ido is injured, and he for her. This marks the first encounter with Zapan. He will be important. They find each other in the Kansas bar and start the fight right there. They seems pretty matched, till Makaku stole a baby, Koyomi, and threatens to eat her. He destroy the floor and take the fight to the sewers/subterranean area of Salem. Ido pleads to Gally to let it go, but she decides to go anyway. Gally is afraid, but must go on. There are very subtle notes on Gally's feelings and what she's thinking. She goes after the cries of Koyomi and met Makaku. They discuss and we discover the backstory for Makaku: he was literally flushed away as soon as he was born. Gally trowing his life in line to save the baby is a personal offence for him. He attacks and she responds instinctively.

The art is simply beautiful

Now we get two points: Gally's fighting abilities are part of her 'muscular memory', part of who she was. It is a very instinct-based reflex. One of these is the costume of passing something on her face, like a mask, in this case, she used tar. This look is very emblematic for Gally, basically her usual look. At this point, she don't understand fully the techniques she's using. She will understand it, but one step at a time.
Second: she understands the functionalities of her new berserker body and start to use it more fully, plasma included. The fight goes on, beautifully as all of them are in this manga. And the dialogue is incredibly deep. One example: "I walk in faith! The faith that we choose who we want to be... and grow into that identity, ugly or beautiful!" This. This is what stand out in this manga. The art is excellent and the dialogue is on par.


Gally wins, but Makaku, mortally wounded, tries to take her with him. An explosion occurs, but since it's fire, the electromagnetic capabilities of her new body protects then. They talk, before his death. And, even if he was a monster, you sympathize with him.
His life was worth of nightmares, suffering beyond limit. His only wish was that someone, anyone, took notice of him. And Gally did. Oh, he wasn't always like this. He was made into this worm-like android. By someone that bears the same forehead sign as Ido... Makaku dies happy. He and Gally knows that he would never be forgotten by her. And then, time passes.

What is very interesting in this early part of the manga, is how this horrible city creates people like this. And the next part is a very, very sad story. Gally meets a boy. Hugo. He's a street urchin, good natured and obviously she falls for him. Oh, remember Zapan? He tries to warn Hugo that Gally is more than meets the eyes... But remember what I said? No one in this city is reliable. Hugo doesn't kill people like Gally. He just maims them in order to stole their backbones and spinal cord. Why? Because he wants to go to Jeru, and is in league with a underworld lord that has ties with the floating city.
I'll cut it short, since it's a pretty tragic and overused story: Gally discover his dream, they work together, she's unaware of his crimes, (which is punishable by death), he's found out, by Zapan, she bands with Hugo, they go to the underworld lord and... yes, it was a false promise. Hugo loses it and decide to climb the cables that connect Salem to Jeru. It is also punishable with death, and dies in the arms of Gally... It's a very traditional story, a very predictable and overused pattern in all media. But it's very well told, at least. There's the twist where Hugo was almost killed, but was kept on stasis by Gally's body. Zapan notices, tries to go for the kill, but one of the governmental droid warns him that stealing a bounty is a crime and Gally cuts out his fucking face off. After Hugo's death, it's time skip time.

We met Ido wandering the streets looking for Gally and we found that she's a runner on the most famous sport of this new Earth: motor ball. This point of the manga is very long, deep and meaningful. Oh, and full of bad ass fights on the motor ball circuit. In this part, we go deep in Gally's search for what it means to be strong, in a very philosophical way. It's also where she finds her 'soulmate': a Damascus blade. With the blade and lots of life-or-death situations, she starts to understand the techniques she posses and to truly make then hers.

I won't cover this part in deep for two motives: first, it's very graphical. Second, it's a very traditional trope in the manga universe. We even get teammates that are basically past enemies that she won over with her charisma & skills. Very traditional pattern.
In the final confrontation with Jashugan, the 'emperor of motor ball', she has a small flashback of her past and we find out her real name: Yoko. And that's it. Back to the fight, in a very deep battle of techniques, Gally loses to Jashugan. She's delighted by this incredible fight and wants to keep battling him, but Jashugan died as he transcended his own limitations. Which makes Gally the victor, but an empty victory that will, literally, forever haunts her. Way in the future, in a galactic fighting tournament, she will remember this fight over and over...


More time skip, and we found that Zapan, without his face, became very unstable. In one of his fits about his face, he kills a woman that he was involved. Cuts to Gally singing The Police in the New Kansas Bar. She is leaving a normal life, reading a lot of philosophy and high literature, playing music for a living and keeping it cool while teaching people how to defend themselves. Zapan is trying to get revenge on Gally, while being hunted by the father of the woman she killed. Ido was informed that the berserker body was bought by someone and goes to buy it back. And he finds the man that has the same forehead mark as he: Desty Nova. We get a glimpse that both of then came from Jeru. Shocking..? Not to me. Obviously that some one that acts with such noble intentions and with dark desires wouldn't be from Salem. Ido has all the signs of someone that sacrifice his life for the sake of others...


Nova is one of the most interesting characters in this series. He was expelled from Jeru because of his bizarre experiences and for his understanding of what exactly is Jeru, but at the same time, they want him back. Even if we see him as a monster, the more you see him, listen to him, you start to sympathize. He is not an enemy per se. He just want to understand the forces of fate and destiny: karma. And he does some real gruesome experiments with his genius-grade understanding of nanotechnology. He picked the brain of Zapan (scooped was the better term) and gives him the berserker body. Chaos ensues... Ido dies in the process, but Nova says that he can bring Ido back and that is only a minor inconvenience. What is really important is the conflict of Gally and Zapan. She kills Nova, which is immediately bring back to life due to his nanobots. Meanwhile, Zapan destroys the New Kansas Bar (poor owner... and it's not even the last time) and goes berserker in the city, looking for her. Gally decides to go confront him, with a nice biblical passage to capture the moment and obviously they fight. In a, once again, very deep and philosophical battle, she destroys Zapan and the berserker body, at the same time that one of his memories invades her mind. A memory of Zapan and the woman he killed, the woman he loved. Gally understands that she must take it all, accept strength & weakness, good & evil. She must accept that life is full of tribulations and that mercy is the basis of all... but she can't. As she says, her heart is not big enough... and with it, we go to the last part of this series.
She is manipulated to become an agent for Jeru, handling earthbound problems and, supposedly, hunting for Nova. She accepts and another time skip ensues.

This time, the time skip consists of many years, and we find a Gally very different from last time: she has given up his humanity, focusing on the thrills of combat. She has no more ties and the only human interaction she has is her 'operator'. Meanwhile, we are presented to the most amazing guy ever: Figure Four. He's fully human and master of a fighting style that makes him able to fight cyborgs on par. He's amazingly cheesy, socially clumsy, funny & charming.

But has some serious fashion problems

He meets Gally as a mercenary and they went into a mission together. Lots of Mad Max battles goes on and we basically see Figure trying to impress Gally. And in a way, he succeeds. His fighting abilities impress her, as his goofy personality. At the same time, her missions catch on with they and more creative ideas are presented. Oh, her mission is to discover the position of the leader of a rebellion against Jeru: Barjack.

All in all, what I wanna focus is the relationships she has now. Figure would become the man Gally loves and ends with. It's very nice, since his main theme is freedom. Freedom of being, of ties. This ideal, obviously attracts her, since it is something that she never could attain: she's always bounded. Be it her relationship with others, her duties, Gally is always restricted. And the only way for her to be free, is this bad ass goofy fighter. His personality is very simple, as his ideas and decisions.

On the other spectrum, there is the son of Nova: Kaos. He is the opposite of Figure, since he is very duty bounded. And way immature. I could say lots of Figure, but he is a man. Kaos, even after all the events in this series, is not. At maximum, he is a young adult trying to impress the world. Kaos is also only part of a man, since Barjack/Den is part of him.
Being the son of Nova, obviously would give some psychological scars. Kaos is mute, only able to project his voice thru radio waves. He also has psychometry, which helps a lot in a world half destroyed. One of the most beautiful passages of the manga is the relationship of Nova & Kaos and a little bird Nova gives him. Read it, it'll be worth your time.

Kaos is unaware that Den is part of him. The discovery that all his hatred and anger against the injustice of the world created what he considers a monster gives birth to his understanding that the circle of violence can only be overcome by reconciliation and creation... yeah. Cheesy as hell.
That's the main point of Kaos/Den. They are out of place here. As Kaos, he's too immature to handle and truly understand the world, his powers are a crutch to his emotional evolution. As Den, he is immature in his understanding of how the world works, assuming that destroying Jeru & Salem, the world would become a better place. The inner fight of then, to me, is a natural fight every teenager has to come to terms with: fight the system or try to change the system. Kaos intentions of 'putting himself to use' thru his powers is a good initiative, but totally unrealistic in the long term. But this unrealistic settings on manga are very common.

In general, there is what is called the Jump Code, based on the most famous publisher ideal: hard work, friendship and honour. Usually in manga, there's a main group/character that solves all the problems thru this: battle, friends and honour. In comics, is usually the same thing, but with a focus on the moderator: someone that solves the problems by discussing or making agreements. I'll explain those patterns in future reviews. But mainly is the following: the Western Lands fiction tries to solve things on a political level, since, in fact, we usually fight wars to solve our conflicts. The Eastern Lands fiction tries to solve things thru combat, but in the real life it's always on a political solution. It's very interesting to observe this pattern. Specially when we compare the most famous examples: Superman/Batman never kill. Goku on the other hand, has a huge body count...

Remember that Ido was a father to her? And that Nova told her that he would bring him back? Yes, he did. Gally found him, but he doesn't remember her. Why? He discovered the secret of Jeru and couldn't handle it, erasing all his memories. With that, we came full circle: Gally has to come to terms with the suicide of her father and the loss. It is a very short chapter, but it's very touching. With that, we can say that Gally is finally a full mature woman. And it reflects on the attitudes she takes in the end.

An interesting comeback is Koyomi. Yes, the baby she saves in the first arc. She's a teen now, almost a grow woman, which gave you a nice nod to how much time Gally spent on her battlefield and gives weight to the changes we saw in her. Koyomi bands together with Barjack, registering all the events of the war. In the end, she's a curious and interesting perspective of the good that Salem was capable of creating: she's pure, immature, but at the same time, a representation of the hope in the future.

I won't spoil the ending. I will just say that it is beautiful.
As I said, this is my favourite manga. There are others that I really like, but this one stays with me.
It has deepness, beauty, sadness. To me it is the epitome of cyberpunk: change the system, fight it even if you don't know how. Even if you have to became a cog in the machine. But keep your head high, maintain your standards and push forward. The world is a bleak place, but you can still find love, friendship and even redemption if you push hard enough. It won't be easy, it will be painful, full of despair and challenges.
But when you succeed... there's nothing like it.

Read it.
Anyway you can.
The sequels are more focused on combat, but still has a great deal of philosophy, in particular zen and transcendence.
Gunnm is still going on. Twenty and six years at the moment. And it's still interesting. Lately the release are not fixed and the story is a little bit strange & vague... but I gotta go till the end.
Hope to have some company.

Phew. That one was huge. That's what you get when you try to explain something you love.
The worse part? There will be others that will be even bigger. Specially with what I have in mind for the future. I briefly touched on the differences between the East & West. Next week I will go a little deeper on this topic. But for now, that's it.

Next week: back to the Blue Ant Trilogy, lets discuss Spook Country! Hit or miss for Mr. Gibson?

See ya

July 1, 2016

Terror Infinity - Zhttty



First of all, stop cursing. I know Terror Infinity is not wuxia. I know it is a Yóuxì Yì Jiè (游戏异界) mixed with Jìnhuà Biànyì (进化变异).
I know my shit, ok? But as I stated on my first post, I'm an ass hole. And I will call this wuxia, because it's easier to group it like this. Better than xianxia, right?

OK. Now to the normal people. Hey. Hi! Remember when I wrote above that I would review 'books' on Fridays? Well, this is a book. But only available as a web novel. Maybe, maybe, it can be published here as a real book. It sure is in China. And some LN are being translated and published, even being listed on Amazon. But I doubt it.
The opening lines were for those that are used to read Chinese/Japanese/Korean light novels. They are a sensitive bunch when coming to naming things. I don't blame then, it's easy to get angry when someone mess with your babe. On the other hand, the identification of the genre is really complicated even if you decided to dive in it. Lots of terminology... What? You never heard of it?


It's lecturing time!
What is a light novel?
Light novel is a phenomenon worldwide that started in Asia. They were, initially, books aimed at middle to high school boys and girls. Yeah, it's the YA novels from the Orient. Except that it predates the YA as we know it nowadays. (YA = Young Adults. Like Harry Potter and ALL that came after).
Did you see the 'initially' that I put there? OK. Let's delve deeper. LN went the same way as manga. People grew up reading this stuff and finally decided to read real books. And then... They find it boring. It's something that happens. You grow up reading the tales and adventures of a martial artist an then go read War & Peace, yeah. The pacing sucks. You might enjoy it, but you'll always have a soft spot for what you grow up with. Then...we have genres.
In Japan, Korea and China, they quickly became famous and divided in different ways. The two most famous 'sources' are Japanese LN and the Chinese ones. Both has their own quirks and terminology. I'll start with Chinese, since they have more stuff that are akin to my tastes. 

Chinese LN divided in a huge bunch of genres. Don't believe me? Check this out. This is a list of all genres that are common in Chinese LN. Oh, and there are one more aimed at children, others aimed at YA and others aimed at adults. It's a real and hardcore market over there. It's not uncommon for teens to became authors and having great careers over there. The market is as great as the manga, and as varied as.

Now, don't get me wrong: I really enjoy some of this works. But come on... you gotta admit that it's a shit storm. Most of the stories are SO FUCKING ANNOYING! There are so much wish fulfillment on some of those stories that it resemble what a fucking 10 year old brat would write! Most of them follow a strict pattern of 'humiliation', then the 'development', be it skills, powers, daoist cultivation, the confrontation with the one that 'wronged' them or their families, and rinse & repeat ad nauseam. It's a tiresome genre...

BUT! There are some good ones. Some brilliant ones. And some that are a hit-or-miss, after all most of then are released daily, and you can see when some authors are on a weak/bad phase. Other recurrent fact is the repetition of plot. Some rehash the same plot SO MANY TIMES that you just skip chapters or simply give up. Yeah. It's that annoying.
Most authors simply write it on the internet, which explain some of the AWFUL names they use, like "I Eat Tomatoes" from the incredible Coiling Dragon (盘龙) or Zhttty from this one. There are worse, believe me...

Back on track, Terror Infinity is from the genre Yóuxì Yì Jiè (游戏异界), but has lots of influence of Jìnhuà Biànyì (进化变异)...

What are those words???

Yóuxì Yì Jiè (游戏异界) is a common genre of people being transported into the world of video-games. It's very common and with different results. I plan on reviewing the amazing The Rising of the Shield Hero (盾の勇者の成り上がり Tate no Yuusha no Nariagari), which is one of the first LN that I read. There is a ton of stories like these. And unfortunately, most are crap.

Jìnhuà Biànyì (进化变异) is based on mutation and evolution of people. Be it by an deity, an alien invasion or any other cause. I didn't find much stories on that genre being translated, which is a shame, since it's a more adult-oriented genre. The characters are usually more deep and the relations are more intricate. A bad example of this genre would be Gantz. Which I found interesting before going bat shit insane with his own bullshit. I know that this may vent some flames, but sorry: Gantz went from an interesting manga, to a crappy anime and finished as a shitty manga. The ending is stupid, and deep down, you know it's true.

So... Terror Infinity mix these two genres. How exactly? The premise of the story is that 'god' treats evolution differently from how we understand. How? Well... he pushes the specific race he wants into a Virtual Reality world and do a battle royale pushing people to the limit till they 'evolve'. Yeah... I don't think Darwin agrees with this idea. Nor the possibility of evolution in a single generation, but oh well... It's a dumb premise that tries to support itself with the famous Clarke quote: "Any sufficiently advanced technology is indistinguishable from magic." Way down the seventh volume they even give it a better explanation.

We start with Zhang, a white-collar tired of his life. One day, surfing the net while doing late night overwork, he saw a pop-up "Want to know the meaning of life? Want to live… a real life?" and a Yes or No buttons. Tired and cynical, he laugh to himself and click Yes.
And he awakes in the world of Resident Evil (the movie). He meet a few people and a veteran explain that he is now in a different world, where he must survive the movie and collect points to upgrade himself and/or gather enough points to pay his way out.
As you can see, yes, this mix of genres is interesting.

The books are divided by movies: Resident Evil, Alien, The Grudge, The Mummy, Final Destination, Alien:Resurrection, Resident Evil: Apocalypse, The Mummy 2, Jurassic Park, The Mummy/Vampiric Mask (this one is fucking insane, since they mix the cast of The Mummy with the events of JoJo Bizarre Adventures Stardust Crusaders. No, there's no Dio Brando, unfortunately) and currently, in the translation page, they just finished Starship Troopers. Usually they go to the movie, fight to survive and then it's evolution time spending points. That should be a simple and stupid story, right?

Well, no. The author does a GREAT job with the characters he introduces. All of then has an interesting backstory, usually people that didn't had much luck on their life choices. Zhang, for example, was a good boy, in love with his childhood friend, living a mediocre and happy life. Then she died of cancer and he went into a spiral of self-destruction, with drugs, women, fights, all the while being stuck on the mediocrity of his white-collar job. Yeah. It's very easy to sympathize with him. When dragged on the universe of movies, he shines, since he really don't want to die. When he went to the 'god' dimension, he had the possibility of creating a companion, as everyone does... and of course, he brings his girlfriend back from the dead, which became an anchor on his will to survive. At the same time, you get the feeling that this girl he created is not a good thing, since he has an interesting relationship with another of his companions.

But you know what? Different from A LOT of other LN, this one is not a Harem. (Don't give me bullshit on sexism, ok? Asia faces sexuality way different from us in the West. There are Harem stories with man & lots of women, and woman & lots of men. Get over it.) And the relationship of Zhang and Lan is a cruel one. THAT is what take it apart from most LN. The way those relationships are portrayed is very different from the usual. The characters are not parodies of human beings, accepting to share their man/woman with others, understanding of his special needs since he/she is so different from the other people. No. They suffer for being in love with someone taken. One of the most touching parts is Lan in her bedroom, devastated by the knowledge that even if she and Zhang were very close in the movie, as soon as they came back, he ran to the arms of Lori, and there's nothing she can do about it. They struggle with their feelings in the middle of the battlefield, with Lan expressing very clearly that she loves Zhang in a situation where she believe she's going to die. And oh boy, let's get into other hard issue that's covered in this LN: ethics.

In the second movie, Zhang is confronted with another guy, a genius tactician: Xuan. Later we would discover that Xuan is a chinese prototype of genetic manipulation, but that's not the point. The point is that Xuan is a very matter-of-fact guy and treat people as expendables. They argue a lot and in the end Xuan dies... but not without handling a great lesson of strategic warfare to Zhang. That's the moment he start to see that, sometimes, sacrifices are necessary. Over the course of this LN, we see Zhang going from a very 'right & mighty' guy, that wants to be good and treat people with respect and 'save everyone' to a man that takes cares of his comrades and don't give a fuck to those he doesn't recognize as important. It's a very interesting descent into reality that Zhang goes thru and the results are more and more interesting.
Other turn on the series is when they confront with Team Devil. Basically, when someone awakens, (more info? Read the damn LN), he/she is cloned to this team by god. Zhang was cloned... and the results were horrible. Both Zhangs confront in Resident Evil: Apocalypse and the end result change the original Zhang forever. The ethical question of 'what would you do if you confront yourself' is a reality in this universe, and different choices generate hardcore different results.

I won't lie to you: even if there's a lot of ethical & character development, the main focus of this LN is combat. Different from most LN, the combat is much more strategic, with analysis of the terrain/movie, if it's a solo movie (where there's only one team) or if it's a team battle, which usually become a battle royale very quickly. The combat is usually very well detailed, but with a quick pace. There's always a sense of desperation, and as more characters dies, the worse you feel. That's a major point of interest: people die. And when people that you like, that you understand their life, their objectives, dies... the impact is bigger than if a minor character dies. And the worse part: the people they create, in god's world, they also dies when their creator dies...

In the end, I really recommend that you read this LN. It's a good one, in a sea of mediocrity. The morals, ethical and relationships are very good. It's still going strong, without signs of ending nowhere soon. Enjoy it while it lasts! There's a pattern on it, and you'll get it soon, but either way, the character development is above and beyond most LN. The fact that they are presented as human beings is also very advanced when you compare to most of the genre.
Go ahead, read it and enjoy!

Oh, and DO NOT READ the manga adaptation.
It's AWFUL.
Thank the gods that it practically died.

Tomorrow: what about hardcore sci-fi, with cyborgs, philosophy, and lots of reference to The Police? Of course we are talking about Battle Angel Alita!

See ya

June 25, 2016

Uzumaki - Ito Junji


Oh boy. This one...
Do you think manga is for children? That they are predictable? That it's all about fighting and superpowers?
Oh boy. This will blow your mind.
I won't preach to you about manga. I was going to, but I decided against it. Let's blow your mind first.
It starts very traditionally. A girl is introduced going to school, Kirie. She meets a strange man starring a snail shell with an spiral. He doesn't even acknowledge her presence. She goes away and meet her friend, Shuichi. Oh, he's the son of the strange man... And he claims that this city is strange and want to run away with her from there.
Overall, it looks like a 'coming of age' story, right? They will go away, thru pains and hardship to realize that 'there's no place like home', right?
No.
Oh hell no!
They would wish very hard that they could...

The story proceeds and Shuichi's father is obsessing more and more over spirals. And then it starts. Mr. Junji is a very important horror writer and I understand why he didn't became 'only' a writer. Understand: the writing business in Japan, like everything else over there, is a Business, capital B. They devour books over there. People are always reading. But he became a mangaka (manga author/artist). Why? Because he loves a specific type of horror: body horror. And boy, it's disgusting. The way he draws body horror is one of the best things in horror. It makes The Thing looks nice in comparison.
Let's continue. Shuichi's father goes insane and start experimenting with his body. He's aiming to become one with the spiral. And he finally succeeds. He dies in a bizarre spiral that he made contorting his own body. It's gross as hell. And it's only the beginning.

Kawaii!!!

The spiral theme goes on. In some way, spirals are haunting this city, and the door that Shuichi's father opened cannot be closed. First his mom goes insane, traumatized by what happened to his father. Then a friend of then became possessed by the spiral, and devouring her own body in the process.

Sugoi!!!!
 
Then it's Kirie's father time to goes insane. And a subtle note is delivered: it seems that the spirals are holding the souls of the departed, and it sediments on the clay that her father makes pottery (a very traditional and profitable profession in Japan). And by burning this clay, the tormented souls creates spirals in the pottery. They destroy the oven but by now, there's a hint it may be out of control.
Cut to the slums, where two lovers are being separated by their families, very Romeo and Juliet. In the end, they start contorting, like a spiral, fusing together and jumping in to the ocean. Focus on those slums, they are homes constructed long time ago and are important.

Kirie's hair start spiralling, and became an entity, bewitching those who looks at it. Another girl, that always seek attention, start to do the same. Kirie is saved in a confrontation with this girl by Shuichi and the girl dies with her hair consuming her energy and body fluids while trying to get more attention. As you can see, the influence of the spirals are getting stronger.
A few more chapters showing the increasingly number of people being affected. Then comes the lighthouse story, in which the lighthouse are emitting light in a spiral-like way. And by consequence, affecting much more people. The spirals are affecting objects AND people now. Oh, and don't skip the pregnant women. It's one of the highlights of body horror in this manga.

The beauty of a pregnant woman

Then things get even more crazy. It's typhoon season. And guess what a typhoon is? A spiral. The typhoon became enthralled with Kirie and start to stalk her. Shuichi understand it and tries to save her, with lots of people being killed by the crazy typhoon. Then, the typhoon wins and get her. Or did he? The city lake absorbs the typhoon before he can get away. If you are observant you get the feeling of "don't mess with my stuff" from this scene. And your guess is as good as mine. Yeah. This city is sentient. Or something in there is...
Typhoon season continues and the people that lost their homes, obviously our main characters included, are redirected to some temporary shelter: the slums... remember it? Yeah. These old houses are all over the city, and by some weird reason, were never destroyed. And into it, the spirals powers are stronger. People start to become possessed by it, and like the pregnant women, becoming monsters.
And here's the moment you all were waiting for: shit hits the fan. The typhoons are circulating the city, blocking any tentative of escape. People are getting powers, like the kids that generates tornadoes with their bodies. The population seeks refuge in the old slums, the only buildings that weren't destroyed. It's cramped and more and more people are coming.
The city decent into madness. Some are using the new powers of controlling tornadoes to fly around causing mayhem, some are becoming a type of human-snail hybrid, a nice look back to one of the early chapters, and most are hiding into the slums. It goes a little Lord of the Flies for a bit, with the discovery that some are eating the snail people. Then it all end with, once again, the lake inhaling people causing to much trouble and letting the rest go.
It goes on, now with the protagonists expelled from the slum houses and walking around meeting other survivors. They meet a group and band together. They try to invade one of the slums, to discover that those people inside became a tangling mess, all stretched and bundled together. As soon as they see that, destroying some walls in the process, the slum people starts to build an expansion of the slums, to cover their disfigured bodies. It will be important soon.



The group decided to try to run away from the city, one of which is becoming a snail person and the others waiting for it to eat him. It ended very weirdly. They decided to eat him raw, going inside the snail shell. The protagonists run away, since a friend of theirs has a small brother that's becoming a snail person. He finally became one and they let him escape. The others reach then, and as they starts to remember the inside of the shell, they... Stretch and start spiralling. The group decide to go back to the city, seeing no way out.


When they arrive, the city is a spiral maze. All the people constructing extensions? It all meets and it is became a giant spiral. The group decide to investigate it. There's people alive, but they are spiralling and stretching. They thrown their dead outside and a man is collecting then. Apparently,  time is different inside this walls. They go deeper and deeper, trying to find the centre of it all.
They are still constructing, and trying to go deeper, one of the group is stuck inside a constructing gap and assimilated. As soon as it occurs, there are screams of "we are all connected" and a strange sounds is heard. Suddenly, all houses are vacant, nothing inside their walls. They follow the inside and find an strange spiral stair going down and decide to follow it. During it, Kirie is attacked and Shuichi defends her, falling into the space below. Kirie proceeds and finally discover something: all the spiral people are there and there's an ancient ruin there. She finds Shuichi there, hurt and paralyzed. They analyze the building, it has a kind of conscience and from time to time, it woke up and attract people. With nowhere to run, Shuichi tell Kirie to run away, but she won't leave him behind. They spiral together and then, with the final piece of the city there, the ruins close. Time stand still. Till the next time.


Wow. That's a lot to swallow.
What can we say about it? It's a plain lovecraftian story. Beautifully crafted and with a beautiful ending. It has all the right points, it has all the horror, in particular body horror, that you can ask for. The art is good, the writing is marvellous. So why is it not more famous?
Because people don't understand manga.
Ok. Lecture time: manga is a genre, like comics. But different from comics, that has became an art form thanks to lots of great artists, manga in the Occident is still saw as a "for kids" stuff.
What they don't understand is that manga is an art form. And has it's own genres and branches. This one is what is called Seinen. This kind is more focused for adults, more deep stories, great character development (there are ones, that I will review later on, that are solely based on character development). Ito is one of the greatest of this genre. He's also considered a genius in the horror genre in general, at least for those that know him.
I definitely urge you to read more stuff from him. I won't review all his work, since most of his work is fragmented in short stories and I prefer to analyze more complete works. But seriously, go read it. If you love horror, you would be satisfied.


And yeah, maybe on some manga & comics, it'll be heavy on images. After all, what can be more effective on showing you art, in a visual art genre? If you don't like it, I'm sorry. Skip it.

Next week: we go East to meet a different brand of literature. Terror Infinity!

See ya.

June 24, 2016

Pattern Recognition - William Gibson (Blue Ant Trilogy #1)



OK. Let's get it straight: I like this guy. Really like him. He's important to me. Neuromancer was an important book in my formation. I love cyberpunk. Specially the early days of it.
Mr Gibson is great, one of the pioneers of the genre. Some says the pioneer. 
He wrote an amazing story with the Sprawl Trilogy. But he's not a one trick pony. He's a great writer, even if he always uses the same pattern.

Strange protagonist with problem past & strange quirky skills? Check.
Cayce is a witty and fashionable woman with a pathological fear of brands, which gave her the superpower of knowing when a new logo will work or not. She's addicted to Pilates, customizing her clothes, and overall be an avaunt-guard chic woman.

Lots of strange & eccentric side characters, living on the verge of society and that will have some use in the story later? Check.
If there's one thing that Gibson does is that he follows the Chekhov's gun principle. Everyone and everything that he mentions is relevant. And plot relevant. If he presents a strange and quirky character, he will be 'used' to advance the plot somewhere. Very early we are introduced to eccentric experts, that are always floating around in his books. There's the weird but well connected experimental artist, that are connected to the curiosities trader, that are connected to a strange curta obsessive collector with a shady past. There's the always shady and kinda evil corporate man, this time upon the form of Hubertus Bigend, a marketing genius that is always trying to monetize trends. And the crazy fucking bitch is Dorothea. God, she's such a psychopath... Oh, and they all live in a kinda underground peripheral world, full of this kinda people. Very Gibsonish.

Here's a curta. Yeah, they're real

Bizarre mystery that needs all the combined effort of characters to achieve? Check.
Yeah, this time is not as weird as a box full of strange things (yeah... I love Mona Lisa Overdrive) but a weird segmented movie that pop-up in different parts of the Internet and are collected and discussed on an online forum by fans. Cayce is asked by her kinda evil boss to research and find the creator. Unlimited funds are available. Obviously she goes with it. He wants to monetize it. How? Who knows... but she must comment on it as an Evil thing, otherwise it is not a Gibson book.
Oh, and this time, different from Mona Lisa Overdrive, it makes sense. The story of the movie is a very good, touching story.

A hurried ending that makes you feel like somewhere, someone was demanding that Gibson deliver the book on the deadline that he probably pushed over the acceptable? Check. 
Till the moment that she meets with Dorothea in the lobby, all is cool. The pacing was good, the advancement of the plot was great, things are good! And then... It jumps in time, with not that much explanation and a last chapter that kinda try ties all loose ends. You can almost feel that there was supposed to be at least one more chapter, but the deadline and the editor said enough with the delays. (On a side note, I believe the editors from Douglas Adams and Gibson go on the case of a G. R. R. Martin. Put the fat old man in a vault and demand Winds of Winter, for the gods' sake!)
 
Yeah, it's a Gibson novel. And also, a good one. The way he writes, plots and plan his books are amazing. If you are looking for, you find all the mechanisms that he usually uses, as stated above, but even tho, you like it. Why? The pacing is fast, the characters are interesting, the way the plot advances is inventive and witty. Usually his mysteries are so weird and different from anything else, that you must know what it is. That's why Gibson is a master: even if you know where he's going, the journey is interesting. Even if the end is somewhat rushed, or in some cases a bad one (Count Zero anyone?) you still want to reach there.

William Gibson is a writer that you must always look for. Even his worse works will have some interesting and intriguing. He is a visionary, after all he kinda predicted the way we would use the internet. And we must never forget: his characters are always interesting.
The most curious thing in his work, to me, is that it always has a Sci-fi aftertaste in it. Even with this book, that's supposed to be on the years after 9/11, it has a sci-fi taste. Maybe the way he writes, the way he sees technology... It's not sci-fi. But I, and others, classified it as Sci-fi.
As an avid fan of his work, I'll review the full Blue Ant Trilogy.

But I'll be fair: I have not great expectations for the second one. At least, till now, most of the second books on his trilogies didn't meet my tastes. Count Zero was interesting, but the ending was horrible. Minoru left a strange taste in my mouth. Maybe this one will change my views, but don't get your hopes high. I sure won't.

See ya.

June 23, 2016

Foreword

Let's get this party started. 

Hi!
I'm an ass hole. Seriously. Most people I know say that. Why?
I discuss about quantum physics, math, Shakespeare, RPG, fantasy works, Marvel continuity, DC plot holes, philosophy, economy... you get the jist.
Probably because I read too much. Always had.

One of my favourite childhood memory is a good example. I was always reading, but I was also a very active child, so I mostly read in the evenings, after being dragged home by the curfew. So... I read. But, as all children, I had a sleeping time imposed by my mother.
Initially, she used to go into my room, tell me to sleep and turn off the lights. After I was given a night lamp by the bed, she usually come inside, turn it off and take it with her, otherwise I would wait for her to sleep and light it to go back to reading.
My grandma, helluva woman, decided that it was wrong. That reading was more important than sleeping, (lesson which I still carry in my heart). And defying my mom, bought me a Panasonic pocket light. That rectangular black light with an orange switch, I treasured it for years...
My mom would come in, take away the night lamp and I would wait around a quarter of a hour, and then light it up and go back to reading.
She would find it out and would take it away. Then my grandma would give me another. This went like this for most of my childhood. I really miss those pocket lights.

So, what it proves? That I'm a compulsive reader. 
Sometimes I stay away from books, for the good of my wallet and bank account, but never for long.
Even after I bought a kindle, the money disappears very quickly when I start to read in the rhythm that I like to. I usually can devour a book in a day, if below 200 pages. If I'm unemployed or on vacations, the number can go way up. 

Even libraries are not all that good. In middle school I read all books in the school library (it was not that big, but still over a thousand). From in deep analysis from cetaceans, passing thru philosophy, history and going into romances, I started to get a hardcore critic sense on books. I love then. And hate them.
Why? Well, any bookworm knows why. If you are not one of us... GTFO. Here's not the place for you, as you probably had guessed. If not, well... GTFO
Just to be clear. 

So... Why do I hate books?
As a matter of fact, you can say that I hate authors. Don't get me wrong, not all. But even the ones I love, I also hate.
Here's why: pattern recognition.
Yeah. It's the name of this blog. And from a book from William Gibson. And the cause of my hate. 

You can know that a song is from U2, (at least in the good albums) in less than a minute. You can know that a movie is from Kubrick in less than a minute. You can also know that a book was wrote by some authors in a few pages.
It's a pattern.
That's why I like U2 in their golden years (decades, to be more fair). Also, what I love about Kubrick. But authors can change their writing style, like the magnificent Ítalo Calvino, one of my most beloved authors, in a way that you can't recognize them. Still, there's something that may made you recognize then. The themes, the way it flows, the types of plotting, the characters. And... the patterns. 

I can assure you: the same way you go into a M. Night Shyamalan expecting a plot twist ending, you can read a Stephen King books expecting a sloppy ending. Yes, there's exceptions. But overall it's there. The pattern.
Some authors can do it wonderfully, like the man who inspired this blog: Mr. Gibson. You know how tricks, his machinations, his pattern. But, at least to me, it works! Works well. Even King works well. He can change lots of stuff, (I already know the ending is gonna suck, so I enjoy the ride in the King bandwagon), but the way his books go, it works!
And then there's my hate: the ones that doesn't... 

I used to love Nail Gaiman. Really. Truly. Sandman to me is one of the best comic I have ever read. Books of Magic, was delightful. Then I read Stardust. Hmm... Well... It's practically the same as always. I know this character already. Then I read Neverwhere. Hmm... Same thing. Let's read American Gods. Again, but at least it was more 'meaty'. Let's read Anansi's Boys. Shit...
It's always the same thing. You can change some things, but it's always the same kind of characters, same dilemmas, sometimes the same plot!
Nowadays, I start reading a Gaiman book and after some pages I wrote what I believe is going to be the ending and jump to the end to see if I was right. Sadly, most of the times I am. I also know when the journey is gonna be useless (looking at you, The ocean at the end of the lane).

But Mr Gaiman, at least, is one of my top authors, in particular for his run of Sandman and Books of Magic. There are others that aren't as good as him. Percy Jackson? I knew the ending by the end of book 3. Yes of the series. Black Tower? I was getting it right till the shit hit the fan on the last book. (I'll never forgive you, Stephen. Never.) Hermann Hesse is ALWAYS the same thing...
And oh... Don't get me started on manga. I LOVE manga. But man... How many I had given up because it started to repeat the same plot over and over again.
Worse of all, is my recent discovery & enjoyment of wuxia novels. Man... There are some guys that don't even try...
Which brings me to the creation of this blog. 

I was reading the aforementioned Patter Recognition from Mr. Gibson and laugh out loud in some point. (I believe it was when Boone shows up and had all the Gibson's signs of a traitor). My wife was walking by and asked "why are you laughing?" "oh, it's just a thing that I already know what will happen in this book I'm reading." "Why are you reading it then?" and I explained it to her.
She nodded and said "you should write it down. You have so much knowledge, you should share it."
And here I am. Doing it.
Why? Because I like to discuss books. And I hope you, dear readers, like it too. I know that it's hard to come by people to discuss about it. In particular anything more meaningful. Bad experience with book clubs and Oprah's recommendations, anyone? 
I hope we can have a nice chat over here.
I'll read about anything, as always. Manga, comics, wuxia, romance, history, sci-fi, fantasy, philosophy... I read a lot. And I'm aim to please, so if you have any recommendations, please, feel free to tell me. I'm always looking for a good book.
But I won't be sorry if I hate it and critically destroy it here. 
Hope someone cares and read it. 
And discuss.
 
Welcome.